The Arrival

Harbour gates from Shaun Tan’s The Arrival

Ideas for an ELT class on emigration based on Shaun Tan’s graphic novel The Arrival

One of the few positive things about Twitter is that, if you follow the right people, you are brought into contact with culture that had never before appeared on your radar. I had the great pleasure of such an experience this week when I was alerted to the work of Australian artist-illustrator and filmmaker Shaun Tan, and particularly his epic 2006 graphic novel The Arrival. Continue reading

Hopes and dreams and could have beens

Norman Rockwell, Breaking Home Ties, 1954

Ideas for a communicative English class about aspirations, regrets and changes in fortune

American painter and illustrator Norman Rockwell is a great source of inspiration for ESL and EFL classes. His works reflect many of the social concerns of his lifetime (1894–1978), notably the anxieties of a nation at war and racism, as this excellent class idea by Chrysa Papalazarou shows. Yet it is arguably for his vignettes of American family life that he is best known. As concerns lesson ideas, Rockwell’s works are particularly full of potential due to the stories they appear to suggest, and which the students can speculate upon and complete themselves. I was particularly struck by his 1954 piece Breaking Home Ties, above, which provided me with the final missing element for a class on hopes and dreams. The image and the class outline below would work nicely as a companion to my post on fatherhood, not to mention the themes of notalgia and regret explored in my posts on the stages of life and urbanization. Continue reading

Bladerunner and the Esper machine

M. C. Escher, Still Life with Spherical Mirror, 1934

Communicative English class on perspective & optical illusions featuring the Esper Machine scene in Bladerunner & its inspirations in art

My previous post about Blow-Up, and especially the scene in which the hero enlarges the photographs in his dark room to reveal that he had unwittingly witnessed a murder, put me in mind of another great scene from cinema. Among the many evocative scenes from Ridley Scott’s sci-fi opus Bladerunner that could be used in language teaching (indeed, I hope to come back to the film in future posts) is this one in which the hero Deckard, played by Harrison Ford, runs a photo through his Esper machine, a rather dated-looking bit of kit with highly prescient technological capabilities. Continue reading

Rear Windows

Edward Hopper, Night Windows, 1928.

English class on surveillance, voyeurism and neighbourliness, featuring Alfred Hitchcock, Edward Hopper, Avril Paton and Ole Marius Jøergensen

Following on from my previous post about The Prisoner, which evokes among other things the theme of surveillance, and the post about Brainstorm, which imagines a dystopian technology allowing users to vicariously experience other people’s memories, this class focuses on the subject of neighbourhood watch, privacy and voyeurism. The clips I have used that best elicit discussions on these themes are from one of the all-time greats, Hitchcock’s Rear Window. Continue reading