The accidental tourist

Jack Nicholson in The Passenger

Some thoughts on Antionio’s 1975 arthouse thriller The Passenger, starring Jack Nicholson and Maria Schneider

My late conversion to Michelangelo Antonioni’s Blow Up has had me checking out some of his other English-language films, including this slow-burning 1975 piece starring Jack Nicholson as a disaffected political reporter who has ostensibly reached the end of his personal road on a job in Saharan Africa. Returning to his hotel after a bitterly unsucessful day out in the desert, he siezes the chance to swap identities with a man named Robertson that he resembles and met only briefly the evening before, and whom he finds dead in his room unnoticed by the hotel staff. Continue reading

Sound effects and setting the scene

Creative English class on describing scenes of suspense based around Brian De Palma’s Blow Out

Brian De Palma’s 1981 movie Blow Out makes no secret of the fact that it is an elaborate hommage to Antonioni’s virtual namesake Blow Up and Francis Ford Coppola’s The Conversation, two of my favourite films (around which I have structured classes here and here). Much has been written about the links between these three films, and someone has even taken the trouble to edit a three-movie mash-up out of them. The result is catnip for film geeks. Continue reading

Antonioni’s Blow-Up

Video-based ESL/EFL lesson plan on image rights, voyeurism and street photography featuring Michelangelo Antonioni’s Blow-Up

Following on from my post about Rear Window, a film I often like to use in class following Hitchcock’s masterpiece is Antonioni’s 1966 classic Blow-Up. While the main character’s casual mysogyny is jarring today, the film has not lost its intriguing power and ambiguity. I won’t reiterate the debate around what actually happens in the film here, suffice to say there are good grounds to doubt the veracity of what we see, particularly in relation to film’s central murder mystery. The film also includes one of my all-time favourite scenes, in which the hero photographer works – with increasing intensity – in his studio as he develops the photos that convince him he has unwittingly witnessed a crime, an extract of which features in my lesson plan below. Continue reading