Edward Hopper, Night Windows, 1928.
English class on surveillance, voyeurism and neighbourliness, featuring Alfred Hitchcock, Edward Hopper, Avril Paton and Ole Marius Jøergensen
Following on from my previous post about The Prisoner, which evokes among other things the theme of surveillance, and the post about Brainstorm, which imagines a dystopian technology allowing users to vicariously experience other people’s memories, this class focuses on the subject of neighbourhood watch, privacy and voyeurism. The clips I have used that best elicit discussions on these themes are from one of the all-time greats, Hitchcock’s Rear Window. Continue reading